Are You Lucky?

Vision comes from within. That is sometimes easy to forget when we who create, fight against bad luck. Because we have all fought and been discourage by lack of luck. I know I have, and I know all my creative peers, friends and colleagues have. Some get over it and some don’t.

Most of us believe that luck is random and arbitrary. But the fact is, we are all in position to channel good luck. Studies and stories of people how have turned the dime to their advantage, are many. We all have the ability to amplify or diminish how luck strikes us.

Study after study reveal that lucky people have a special quality about themselves and how they see the world. They are like metal detectors that are always turned on. One who has studied luck is Richard Wiseman, head of the psychology department at the University of Hertfordshire. According to him, lucky people generate their own good fortune by following four basic principles. They create and notice chance opportunities. They make lucky decisions by listening to their intuition. They create self-fulfilling prophecies via positive expectations. Finally, they adopt a resilient attitude that transforms bad luck into good.

This may all sound very good. However, when you stand in the middle of period when nothing seems to work out, it’s not easy to keep expecting things to change to the better. It’s much easier to give up. I know, I have been there myself. Some time ago, I had put in a lot of effort, money and time into preparing a project that everybody told me was going to be a success. I was selling the idea for the project to a big national institution in hope they would finance it, in fact they had asked me to propose the project. The people at the institution were all positive and made me feel like it was only a formality before the project would be accepted. But, when it came down to the final decision, my project was turned down. Instead, money was given to another project that seemed to have nothing about it at all. Later on, I heard that it came down to connections. The person behind the project that “won” knew the people on the board of the institution. It was a devastating blow to my self-esteem. I was about to give up.

When you are there, it’s not easy to be enthusiastic about anything. Nevertheless, enthusiasm is really what makes things change and creates luck. Enthusiasm is raw energy for life. It’s a powerful force. It draws luck like a magnet. When you do something out of passion and enthusiasm, out of yourself, things will start to change. You start to create luck and those self-fulfilling prophecies that Wiseman points to. Making luck happening is not about fate, really, it’s about finding your life’s call, or to put it less pretentious, to do what you love. If you take the chance on what you believe in, and don’t give up, good things will start to happen. Ralph Waldo Emerson put it this way: “Enthusiasm is one of the most powerful engines of success”.

Your unique view of the world is your most valuable asset, regardless of what you do. “Don’t ask yourself what the world need. Ask yourself what makes you come alive, and then go do that. Because what the world needs are people who come alive.” That’s according to the African-American author, Howard Thurman.

So maybe luck has less to do with chance and more to do with how we live? In the international best-selling book The Alchemist, Paulo Coelho crafts an allegorical narrative around this idea. The main character in the story, a young man named Santiago, works as a shepherd until he has a dream that awakens him to a deeper calling for his life. Fear holds him back from responding to the call, but the dream persists. Eventually, Santiago musters up the courage to follow the path for which he was meant. Leaving his comfortable life behind, he journeys into the unknown and is invigorated with the possibilities of this new path. Following his path seems to have some generative power, almost like a gift that fills him with strength, enthusiasm, and good luck.

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Into the Unknown

When we start our journey into the creative realm, we venture into unknown territory. We need to. As a matter of fact being creative means embracing what until the moment of creation was completely unknown to us, otherwise we wouldn’t be creative. After all; to create means to originate or to bring into being from nothing. It means bringing into life something completely new. We—figuratively speaking—take on a journey into new territory. We cannot make this travel without facing the unknown. When we do we are creative discoverers.

For many people, though, the unknown creates a sense of conflict, disorientation, and discomfort. People often attempt to reduce this experience by pretending to know what they actually do not know. But in doing so, they disconnect themselves from the creative source. In order to reduce their discomfort, they manufacture explanations, engage in speculations, and make up theories. They try to make the unknown known through speculations and inaccurate descriptions, and if they aren’t able to, they turn away from the unknown and stay with what they already know. Doing so, though, is detrimental to the creative process.

We grow up in a society that values knowledge, so that we may adopt the premise that we should know what’s happening. This is a value fostered by traditional education, where we are rewarded for knowing and penalized for not knowing. When we create we need to open up for not knowing, be willing to let the journey go wherever it takes us – without knowing.

Thus, an important ability for all who create is being able to live with the unknown, the unresolved, the incongruent, and the contradictory. This contradicts the popular myth that creative people are those who generate fantastic ideas and always have the answer. The truth is that creative people often do not have the answers and are quite aware of the spaces.

It’s like when I go out and shoot on the streets. I literally venture into spaces of unknown. It’s often places I haven’t been to before, but I am curious and open to where the unknown will take me. It’s also a journey in a figuratively sense. I don’t know who I will meet on the street, I don’t know how they will react to me, I don’t know if the will want to meet me at all, I don’t know what these encounters will bring—maybe new friendship, or maybe new knowledge, or maybe hostility or disapproval. Sometimes I do not dare face the unknown on the street, but when I do, my life is always enriched beyond anything I had thought beforehand. And I come home with new and inspiring photographs. I am creating

The Picture Critique is still open, but only for another week or so. By the end of the month I will close this offer to give some feedback if you have a picture you would like to get an outsider’s opinion about. If you are interested, please don’t hesitate to submit a link to a photo on my Picture Critique-page. Remember, it’s not about submitting excellent photos, but about photos you feel uncertain about or photos you would like to get an outsider’s opinion about.

Slow Down

One of the curses of digital photography is that it’s so easy. It’s so easy to shoot anything and everywhere. We end up shooting too fast and too much. In photography fast is not always better. We may do better by slowing down, be more deliberate in our approach.

In the days of analogue film, it cost somewhere around 25 cents for each click. That cost would make expenses rise quickly if you weren’t careful. It motivated photographers to learn their craft and to focus, concentrate, and compose in a more mindful way. Back then, you couldn’t just hold down the shutter and hope, not even on assignment with a comfortable budget.

Pushing a button is easy, but crafting a good photograph is hard. Lake paddling across the sea, it takes consistent work. If you have a long way to paddle you will quickly tire out if you go out too fast. In the long run slow is fast. The same in photography. If you want to create lasting images, don’t just shoot anything and everywhere. Don’t just hold down the shutter button. Rather be mindful and slow. As Chris Owen, photographer, teacher and best-selling author, says: “In the era of instant, it’s the permanent that stands out from the crowd.”

By slowing down you may actually accomplish more. Creating photographs that stand the test of time isn’t an easy thing to do. And I believe most people can’t make images that last, because they are moving too fast. We worry about moments missed, and we take pictures in a furious pace. In photo circles it’s called “spray and pray”—that is to say holding down the shutter and hope.

I notice it in myself particularly when I do street photography. In the beginning of a session, I run around searching for something, anything that is worth capturing. I am afraid I might miss a moment, I believe maybe around the corner is a better vantage point with more activity on the street. I end up shooting a lot of photos, but nothing worth keeping. It’s when I take a deep breath, slow down and decide to stay in one place, wait and let things happen in their own time and pace, that I slowly start to get images that might be worth keeping.

Making good photos requires effort from us. So we shoot a lot of photos to make up for our lack of skill. However, just because you can shoot a lot doesn’t mean you should. But we still do. Why? Because less takes more time. We don’t have—or don’t take—the time to take better photographs, so we end up settling for good or even inferior. We work quickly and hope for the best.

Creating photographs that last means, we need to change our pace. Even Ansel Adams used to say, “twelve significant photographs in a year is a good crop.” When you slow down and lower your expected output, you can become an artisan in your craft. The constrains of a slower pace beckons you to photograph in a more thoughtful way.

Facts about the photo: The photo was taken a Fujifilm X10 with the lens set at 20 mm (the equivalent of a 80 mm for a full frame camera). Shutter speed: 1/800 s. Aperture: f/7,1. The photo was processed in Lightroom and Photoshop.

Do you need some ideas to improve your photography and not having to spend a lot of money on new equipment? My eBook 10 Great Tips to Get the Most Out of Your Point-and-Shoot Camera might be what you are looking for. It’s an inexpensive eBook full of inspiration, and it’s available on my website http://www.munchow.no.

Leap of Faith

Throwing yourself into the creative process is a leap of faith. You don’t know where the flow will take you, you don’t know where you are going to end up, you don’t even know if you will make it to the end. It’s like throwing yourself into a stream and see what happens. And trust the process. In the beginning, we dare let the stream be only so forceful—probably not much power at all, to be honest, but as we gain more confidence in the process, we take more risks and let ourselves be carried away by stronger currents.

Creativity is about letting go of control, not knowing what will happen. Any creative progress is made by leaps of faith, some small and some large. At first, we may want faith to take the first photo course, the first step toward learning a new media. Later, we may want faith and funds for further classes, seminars, a workspace or maybe even a year’s sabbatical. Later still, we may conceive an idea for a large project, a book or maybe putting our work in a gallery. As each idea comes to us, we must in good faith clear our inner barriers to act on it and then, on an outer level, take the concrete steps necessary to trigger the process; not knowing where it will takes us or whether or not we will succeed. When you start writing a novel, for instance, you don’t know whether or not it eventually will be published, at least not if you don’t already have a name.

The more we let go and the more chances we take, the more possibilities will open up for us. We find that we change ourselves and become more susceptible to the process and own development. We more clearly see that our moods, views and insights are transitory. We accept changes as something positive. We acquire a sense of movement, a current of change in our lives. This current, or river, is a flow of grace moving us to our right livelihood, companions, destiny and opens up our creativity.

Creativity is the process of finding the river and saying yes to its flow, rapids and all. We start to say yes instead of no to opportunities, maybe startling ourselves in doing so. As we begin to pry ourselves loose from our old self-concepts, we find that our new, emerging self may enjoy all sorts of bizarre adventures. By replacing “no way” with “maybe”, we open the door to mystery and magic.

Many a time in my street photography workshops I have experienced participants not seeing themselves taking close-ups of people in the street, not daring to approach strangers. Not a few times participants have cried because they didn’t see how they could dare doing it. And then suddenly they just jump into it. Not long after they can’t believe how much they enjoy it. In my last photo workshop in Cuba there was a woman, who was very reluctant to approach strangers on the street. By the end of the workshop she was going inside homes and house, photographing people up close, that for must people takes years to be able to accomplish. She took the leap of faith, jumped into the river and was washed away in a way she hadn’t anticipated.

Creativity is a leap of faith. And as we get more comfortable with the slow stream of the creative process, we will soon find ourselves washed down a river of unimaginable creative power. It all starts with letting go of our control. Do you dare?

Facts about the photo: The photo was taken a Panasonic TZ5 with the lens set at 13.1 mm (the equivalent of a 77 mm for a full format canera). Shutter speed: 1/320 s. Aperture: f/4.6. The photo was processed in Lightroom and Photoshop.

Breath of Life

På toppen av Navaho Pass med utsyn mot Mount Stuart

Choosing a creative path isn’t always an easy course to travel. It’s a path of much struggle. At the same time, though, it’s also a path of much joy and fulfilment. For me creativity is a healing path. Part of the struggle is because when we open ourselves up to creativity, we open up to our vulnerability. We learn about ourselves and we see ourselves in a different perspective, cannot hide all that we so often try to ignore about and in ourselves. Being creative means opening up—and that can be very challenging.

I think every human being has creativity in her- or himself. We are all creative beings. Life itself is but creative. Every creature (and just the word itself gives away the fact) is part of the natural order of creativity. We are ourselves creations. And the natural order for us is to continue the creation through our own creativity. But along the way to adapt to life’s demands many of us lose sight of our natural creativity.

To get back on the creative track, particularly for those of us who have been away for a long time, can be a roller-coaster experience. It can be painful, full of doubts and mountains of frustrations. However, as long as we don’t give in, we will eventually experience the fruits of becoming creative again. The fulfilment. Feeling whole. Feeling connected. The creative joy. Yes, creating.

Being creative, means to live. As the poet Alain Arias-Misson once said; «The purpose of art is not a rarefied, intellectual distillate—it is life, intensified, brilliant life.»

When you begin down the path of creativity, you will encounter challenges and moments of insight and growth, each time at a different level. There is no such thing as being done with an artistic life. You will always experience downturns as well as highs. As the writer, director and producer Julia Cameron writes in her book The Artist’s Way. «Frustration and rewards exists at all levels on the path. Our aim is to find the trail, establish our footing, and begin the climb. The creative vistas that open will quickly excite you.»

The peaks-and-valleys that are part of the growth along the creative path are like a series of expansions and contractions. It’s like breath of life. We breathe, in and out. Expansions and contractions. We create, in and out. Thus, become alive.

So at times when you feel lost, don’t feel creative at all, when everything seems like at a standstill; know that it’s just a time of contraction. It’s necessary in order to be able to expand again. Don’t get discouraged. We are all in this cycle of expansions and contractions. We all have times when we can’t get out of the box, feel discouraged, but then suddenly the box fall to pieces, we feel free again, free to create.

If you have followed my blog for some time, you may remember that I was in a deep contraction just before Christmas. Now I am in an expansive uphill. Things begin to open up again. And I enjoy being creative, see things that I otherwise would ignore, feel like I am paying attention to life’s details as I wrote about in the post Pay Attention, two weeks ago. It’s a joyous place to be. But I also know, as certain as rain follow sun in my part of the world, that before I can blink I will be moving into a contraction again. Being alive means constantly alternating between expansions and contractions. Each time I enter an expansive mode, I see new vistas, I learn to appreciate all creation with different eyes—yes, I expand.

Riding the Waves

munchow_1813-202_e

The road to success isn’t paved with gold—or, navigating only through calm waters, to use the analogue I like to think of when talking about creativity; the interaction between man and sea. The path to success is navigating through foul weather, risky straits and choppy waves as well.

Not long ago, my partner and I planned to kayak along the west coast of the Olympic Peninsula in the state of Washington, USA. As often is the case along that coastline, the weather was windy and cold, and the waves were rolling big onto the beaches. Not conditions for launching any kayak trips.

We had a good time anyway, enjoying the strength of the gale in our hair and feeling very alive when the wind gusts battered down on us. Not kayaking but hiking along the shoreline. Still, we had brought kayaks and at some point, we decided we could use the heavy waves to practise paddling under less than perfect conditions, safely and close to the beach.

With wet suits, life jackets and all the necessary safety equipment we felt safe indeed, as long as we didn’t go far out. Of course, the waves are also the worst exactly where they break onto the beach. For that very reason, it would be good practise.

It took some juggling to get the kayaks launched, but as soon as we were out, it felt pretty good. We paddled through a couple of waves and felt in control. Then we turned in an attempt to surf back in again. That’s when we lost control, both of us. The first wave took us around.

As we had foreseen, we would keep warm with the wet suit and stay afloat with the life jackets. However, what I hadn’t foreseen was that we had already kayaked too far from the beach. I could not reach the bottom. Moreover, there was no way neither of us could get back up in the kayaks. Thus, I started to swim back in with the kayak in one hand.

I quickly realized that this was much heavier than I had anticipated. After some time I wasn’t sure at all if I got closer to the beach. Instead I started wondering if there was a tide taking my out rather than in. I did not feel very comfortable any more, not the least because I could feel my stamina started to dwindle too quickly. In addition, my partner and I had drifted apart. At least she was much closer to the beach. Of course, I could let go of the kayak, but that wasn’t an option, not yet. That uncertainty, though, about which direction I was going, was anything but calming.

To make a long story short, I finally made it onto the beach, with my kayak and everything. We both did. By then I was completely exhausted, had to rest in the breaking waves before I could pull myself and my kayak onto dry land.

It was a valuable lesson. I learned where my limit is and I learned that I have to practise much more navigating foul weathers. Of course, I would never launch a real kayak trip under such conditions, but you never know if or when the weather suddenly changes faster than you have anticipated.

The mistakes we do underway are what build strength for later successes.

The path to success usually goes through choppy waters, for then to experience some calm and beautiful sea—for a little while. The path to success starts out with interest, passion and ideas. Next come the hard work and the fight to get closer to where we want to be. Then some mild success, and next some failures as well. And eventually—and hopefully—we will hit the big wave taking us far and away.

Creating your life’s best work and living the life you imagined requires having a deep drive to reach the top, but also a strategy for making it back home. It isn’t very creative to sail the biggest waves only to crush onto your doom. True creativity requires a more holistic view that includes both the up and the down.

Personally, I have had my share of success—in my eyes, that is, which is what is important in the end—but these days I am once again fighting my way out of a trough, as those of you who follow my blog know. It’s part of the creative path, and I know as long as I keep swimming and learning how to navigate back onto shore again, I will soon enough be riding confidently the big waves.

Facts about the photo: The photo was taken with a Canon Eos 5D with a 24-104 mm lens and the zoom set at 105 mm. Shutter speed: 1/500 of a second. Aperture: f/22. The photo was processed in Lightroom and Photoshop and finally a Bleach Bypass filter added from Nik Color Efex.

Last Week’s Instagram

Fuktighet kondenserer

Since my last post where I talked about the problems I—and the whole media business as such—is facing, I have received so much encouraging and positive feedback, I want to thank you all for such a wonderful response. I have used the week since to get started working on my new projects and feel good about it. However, it’s always a little scary to throw yourself into deep water. Either you learn to swim or you sick. I plan to do the former, but I guess this week’s Instagram is telling for my situation or my feeling.

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. Except for the technical details beneath the pictures are displayed without any comments (well I guess I gave some comments this week), hoping they will stand on their own. But I still very much appreciate any comments you may have.

Facts about the photo: The photo was taken with my cell phone processed in the app Snapseed.

When Catastrophe Hits You

Sometimes we just have to take the bad with the good. The reality is that nothing is so bad that it can’t be good for something. If we can only wrap our heads around and see the misfortune—whatever it might be—in the right perspective.

I know, it’s easy to get discouraged when bad things happen to us. Right in the middle of it all, it’s hard to encourage positive thoughts. But however hard it is, if we can slowly drag ourselves out of the miserable feeling, we stand to win more than we might have lost.

I am in such a place right now. The last couple of weeks have been hard. My work has been slowing down more than I like to admit. The reality is, I have hardly gotten any new assignments over last the fortnight or so. What more is, I believe I won’t get more work for the rest of December.

Of course, it has to do with the industry I am working in. As you probably know, the media businesses have been struggling for years already. The disruption of the digital era has come down hard on the media, as it has for instance on the music industry as well as other branches. For most media companies it’s been hard to make a profit these days and keep a sustainable business, and for one who delivers to those businesses, of course I would have to expect to get hurt, too.

So far, I have managed fairly well, though. Yes, it’s been harder to get assignment at times, but I have just pushed harder, and gotten what I needed to survive. Now in the end of November, it seems to have come to a standstill, though.

I don’t expect it to stay like this forever. As a matter of fact, I believe I will be in full business come January as all the companies I am working for will start on a new budget year. However, the present standstill has gotten me thinking. I need to diversify and I need to find more legs to stand on. What happens now have giving me an opportunity to reflect on my own situation.

It’s by far a new thought for me. For years, I have been thinking about other areas I can expand into. The problem is finding time to develop new business areas, when you are so busy with the work you already have. I have—slowly and discontinuously—done various attempts but nothing that is ready to take over the loss of business during this time of standstill.

But alas. Suddenly I do have time. Moreover, that’s what I am going to do the rest of this month. Start working on my new ideas and develop those business areas. My hope is I will get far enough to be able to put them into action already in the beginning of next year. It was about time I got going. I knew I was playing with fire when I year after year postponed getting into new areas. Time to expand and find myself again. I hope…

I will end with a quote by Becca Fitzpatrick, an American author, best known for having written the New York Times bestseller, Hush, Hush: «Sometimes bad things have to happen before good things can.».

Facts about the photo: The photo was taken with a Canon Eos 5D with a 24-104 mm lens and the zoom set at 105 mm. Shutter speed: 1/30 of a second. Aperture: f/4.0. The photo was processed in Lightroom and Photoshop.

The Disparaging Gap

En eldre mann i flyktningleiren Tierkidi

Have you ever felt frustrated because the result of your creative endeavour didn’t live up to your expectations? Of course you have – it’s a rhetorical question. Everybody does. Ever so often we all feel we are not able to express strongly enough or good enough what we have on our mind or seeing for our eyes. Whether you are a photographer, like me, or expressing yourself through any other media, we all hit this disparity between what we want to achieve and what we actually manage to create. We have this great idea, but can’t get it out, can’t make it materialize in a satisfying way. Particularly when we start out as beginners we are often encountering this feeling of not being good enough.

There is a gap.

There is a gap between the result and what we set out to create in the first place. Particularly in the first couple of years as we try to figure out our way into becoming a photographer, or a painter, or a designer, or a writer – or whatever it is we are getting into – the stuff we make isn’t quite good enough, it’s really not that great. It’s trying to be good, it has ambitions to be good, but it’s not quite that good.

I surely remember when I (a very long time ago) slowly switched from photographing nature to become more documentary orientated and trying to photograph people in their various ways of living. It was a very frustrating period of time. I didn’t get the pictures I saw other photographers were able to capture much better than me in similar situations. I certainly wasn’t happy with most of my photos back then. They just didn’t capture some essence of life or were expressive in a way that could talk to others who hadn’t experienced the occasion I was trying to photograph. In retrospect, one reason was the inability to dare getting close enough, but it was also just getting around understanding the way these kinds of photos work in general. It took me many years to get around to the other side.

It has happened later, too. That I feel I am in a rut and not able to create anything worth keeping. As I said in the beginning; it happens to everyone. It’s part of the creative path. On and off we all feel we are banging your head against the wall and don’t get any further. That’s when we have to remind ourselves that it’s just a phase. Especially if we are beginners we will have to accept that it takes time, a long period of time, yes, years to get anywhere close to where we feel this gap between what we set out to create and what we actually end of with making, is diminishing.

The frustrating part when you encounter this gap is that your taste is good enough to tell that what you are making is a disappointment to you, but you just aren’t able to do anything about it. Unfortunately, a lot of people don’t get passed that point. They quit. But remember, then, all those who you think do the most interesting work, have been through these phases as well. All of them. They have just not given up, but kept working even when they felt that disappointment for their art work. They went through a face of years when they knew that the work they were making wasn’t as good as they wanted it to be. They knew it felt short. But they didn’t give up. If you go through a phase like that right now, you got to know that is totally normal. The best thing you can do is do a lot of work. Do a huge volume of work. And eventually you will come out on the other side. It’s only by doing a huge volume of work you will be able to close up that before mentioned gap, when your work will be as good as your ambitions.

You just have to fight your way through that phase. I know it’s easy to say. I know it is discouraging to stand with your legs stretched out across that gap. But if you know that you eventually will be able to create something that feels completely right, that in itself will hopefully be an encouragement enough to keep up with the hard work even when it feels less than satisfying in the moment.

How has you encounter with this gap been? And how did you get around it? Please share we us your experience.

On a different note, I want to apologize to all of you who follow my blog and faithfully comment on my posts for not having returned your visits. Since before Christmas I have been on the road and simply haven’t been able to follow up. However, I do appreciate every visit, every like and every comment. How no doubt about that. And now that life is slowly getting back to normal again, I promise I will start revisiting your blogs again. I will get back to you all.

All Good Things Are Three – Or Bad

Et lappverk av brostein

Over the last couple of weeks I have challenged you, my readers, with a few photographic tasks. The response has been more than expected and I have been impressed by the creativity and visual approach to the two challenges I have thrown up in the air so far.

Thus, I would like to give you a different and last challenge – for now at least. Next week I will start to showcase the photos that have been submitted to the previous challenges. But first then, the new challenge:

This is a very special challenge in that I am not necessarily asking for you to post any photos here. Nevertheless I would love if you did, but as you soon will see the challenge is not about one way to approach or look for photography – as the two previous challenges. The thought behind the challenge today is that we who enjoy photographing, maybe some times take it too seriously. We want so much and we have so high expectations for the end result. I would think it’s quite common for all fields of creative work. The consequence of these high expectations might be stagnation and inhibition rather than brilliance. When we want too much our creative mind freezes fearing that we won’t be able to deliver as expected. We actually end up doing exactly contrary to what we want to do. If you decide to make a master piece, you surely will end up not being able to do so. Master pieces don’t come on order. On the contrary, they come when you least expect it, when you let go of all pretentions and expectations and just create from the bottom of your heart, freely and without inhibitions – with no second thoughts to the final result. If you allow yourself to fail, if you allow yourself to make mistakes, you will let down your guard, and then maybe – maybe – you will be able to create something truly original and personal.

So the challenge this week is to do exactly that. Give yourself an hour or half a day or whatever and go out and photograph ugly and erroneous photos. Don’t only try to let go of any expectations, but actually photograph with the intention of creating crap. You will surely shoot something quite different than you would usually do – and you might even find some shots that come out very strongly and captivating. Don’t expect this though, just go out there and do something you never ever do otherwise. However the result is going to be, the process itself will be enlightening.

Please, if you dare showcase some of these photos, I would love to have you post a link in a comment underneath as usual for these challenges. It would be fun to see what we all come up with of different approaches. Are you ready?