Develop Your Visual Language in Seattle

Come along for a photo workshop over an extended weekend in Seattle in mid September. If you need some inspiration, if you want to push your photography, if you want to advance your visual language, this is the perfect workshop for you. From September 6th to 9th, the workshop will be focusing on how you can develop your photography and your photographic expression.

Through daily lectures and picture critique, I will challenge you and stimulate growth of new visual ideas and your creativity, as well as stretching your ideas of what a good photograph might be. The workshop is less about technique than about imagery, however we will of course talk about technique when and if necessary. Nevertheless, the focus is primarily on the visual language and the creative approach to photography.

During the workshop, we will explore various neighbourhoods of the city. We will head down to the waterfront of downtown Seattle; the mixed, former hippie district of Fremont as well as other areas. Against a backdrop of jaw-dropping scenery, the waterfront is all about walkable fun, where quirky shops, seafood eateries, and iconic experiences await. Fremont is the artsy, waterside enclave where people come for a selfie with the gigantic Fremont Troll and enjoy the neighbourhood’s free-spirited charm.

I will walk and photograph with participants on an individual basis, which I have found that former students always appreciate the most. By photographing side by side, you can learn from my approach, but also give me a chance to suggest ways to change your own approach. I believe in challenges and in expanding into new ways of seeing and capturing and this will be the underlying force through the workshop.

Does this sound interesting? You’ll find more information about the workshop “The Visual Language” in Seattle here.

Or you can ask for the brochure for the workshop here.

Maybe I’ll see you in Seattle?

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Come Rain Come Shine

This weekend I taught a photo workshop in Bergen, Norway. Despite not having the best of weathers, I was impressed with the participants’ efforts. They were out early in the morning, shooting, shooting and relentlessly defying the weather.

What I enjoyed even more was their willingness to accept the challenges I forced upon them. They took it straight. For some it was losing control and become more reckless, for some it was approaching people on the street, for some it was not shooting sharp images, and for everybody it was to keep shooting long after they felt they had overly and too long disrupted whomever they stopped on the street.

It’s a natural instinct, to capture one, two or maybe even three photos of someone on the street and then let go. But most likely that will not be enough to produce captivating images and break the first inhibition and the subjecting wanting to play up to the photographer. On the street, the photographer has to keep going, keep shooting, 20, 50 maybe 100 photos of a situation. I know, it’s not easy, you feel you step over what is acceptable behaviour, but those who try often find out surprisingly how willing people actually are. As the participants of the workshop found out.

The participants not only defied the weather and the challenges, but also brought back some excellent images. At a later stage, I will display some of their work here. For now let me just inform that I am teaching another weekend photo workshop in Seattle from September 6th to 9th. If you may be interested, you’ll find more information about the workshop “The Visual Language” here.

As of tomorrow I will take off on a two weeks holiday in Ireland. I will be away from the blog sphere during the holiday. But I will be back in the end of June. Take care friends.

A Roman Stance

Last week I attended maybe one of the best workshops ever. It was taught by the Swedish photographer Martin Bogren and took place in Rome. Five days of intense, demanding and tough photographing and teaching. We were pushed beyond our comfort zones and felt both enormously encouraged and hard-pressed. It’s the kind of workshop style I like, whether I am teaching myself or attending one. It’s all about complete focus on photography. If we were not out shooting on the streets of Rome, then we would either have sessions of picture critique, Bogren showing us his own masterly work or processing photos ourselves for the next critique session. No time for anything else, hardly for sleep.

Martin Bogren is not only an excellent photographer of world class, but he is also seeing his students, their needs and pushing them in a direction they need to go in order for them to develop their photography. He is generous and insightful, as well as tough when needed and encouraging when that is needed. He has a quite and soft way of approaching students’ work as his own photography, but also resilient and strong beneath it all.

I came back from Rome with the hard disk loaded with photos. Plenty of meagre results—whish is always to be expected when shooting on the street, but quite a few that are pretty good. Martin Bogren was able to open up new aspects of my photography and he has given me a new direction. Here are a few images from the Roman workshop. I’ll let them stand on their own.

Your Own path

When you first pick up a camera, you start down on a creative path. How far you go—or even how far you want to go—is all up to you. There is no right or wrong. There is no saying how far you should go. And there is certainly no need to feel you have to keep developing your photographic skills or your photographic vision.

If all you want is to play with your camera, if you just want to capture moments in your life, to keep as memories, without any photographic ambitions; do it! Have fun—that is the whole point, anyway. Too many “serious” photographers forget the fun part. They lose the playfulness that is such an important part of the creative endeavour, what probably brought them into photography in the first place.

This path you have undertaken—whichever direction it takes you—is all yours. In many ways, all you need is walk the walk, photograph what photographs you capture, and immerse yourself in the process. Gain confidence as you head down the path; learn to create by creating, become skilled as a photographer by photographing. If you trust the process, if you trust yourself and your inherent creativity—which we all have in us—in time you will master what needs to be mastered. The path will open up for you, if you become susceptible to it.

All this is easier said than done, though, and a guiding hand may more often than not be of great help. It is like undertaking a spiritual journey. You can become spiritually enlightened by work of your own mind, but a master by your side may help you not lose track of the path.

So it is with photography. Someone to guide your development can speed up the progress. I see it in all the workshops I teach, how much each participants grow through the week or whatever length of a workshop. And I know it myself from attending many a workshop. As a matter of fact, now in May I will once more enrol in a workshop, this time in Rome. Very exciting.

Maybe a photo workshop would be worth considering for you, too? Maybe it’s time to develop your photography. I would be happy to se you onboard one of my workshop that I teach this year. See further down for workshops I will be teaching.


I have a task for you. Would you be willing to answer some questions for me? I am doing a little survey to tailor new workshops to your needs. It could be beneficial for you and—and of course for me, too. The survey will only take a few minutes.

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Workshops in 2019:

Next year I am going to teach no less than four workshops. They will vary from weekend long workshops to a tour stretching almost a fortnight. There should be a workshop for most aspiration.
 
“Street Photography in Cuba” is a workshop I do together with my friend and colleague Sven Creutzmann. It’s our most popular photo workshop and offers a great opportunity to experience the colours, the contradictions, the rhythm and the passion of this country unlike any other. “Street Photography in Cuba” takes place from May 4th to 11th 2019.
 
“The Personal Expression” is a weekend workshop in Bergen, Norway. It’s an intimate and personal photo workshop, in which you will get a chance to work on and develop your personal expression as a photographer. “The Personal Expression” takes place from June 7th to 9th, 2019.
 
“The Visual Language” is an extended weekend workshop in Seattle, USA. In this workshop I will focus on the visual language—as the title indicates—and you will get a chance to develop your skills in visually telling stories with your photography. “The Visual Language” takes place from September 6th to 9th 2019.

“On the Tracks of Che Guevara” is maybe the workshop I am most excited about being able to re-launch. It takes place in the eastern mountain area of Bolivia and we will follow the tracks of the last days of Che Guevara before he was killed in these mountains. This is another workshop I do together with Sven Creutzmann and one we haven’t offer since 2013. “On the Tracks of Che Guevara” takes place from September 23th to October 2nd 2019.
 
<font color="#990000"Please follow the links for more info about each of the workshops.
Or shoot me an email (by answering this one) and I will send you more information.

Two Adventures

I think there is no better way to develop your photography and creative skills than attending a workshop. It’s usually a concentrated couple of days or a week full of intense experiences in which you will be pushed beyond your usual boundaries. Through daily teaching, practice and not the least feedback, you get an invaluable chance to grow and expand. Moreover, the exchange with other students is such an inspirational and transcending experience. And if you choose to attend a workshop out of your regular environment, for instance going to a foreign country, the travel will become a source of stimulation in and of itself.

As such, I would like to promote two photo workshops I am teaching this year. They will certainly be adventures for anyone attending them. One of them takes place in fascinating Cuba in the late spring while the other heads to little exploited areas in Bolivia in the autumn.

Cuba needs no further introduction. This Caribbean island nation is pure bliss for a photographer of any kind. The colours, the light, the energy, the culture, the history and not the least its people—Cuba is a blast for all sense. Anyone who has travelled to Cuba knows this. For the same reasons Cuba is heaven for a photo workshop.

Bolivia is more subtle and more reticent, but nonetheless an equally fascinating country to visit. It’s first of all a mountainous country, colourful in its own terms, particularly the country’s majority of indigenous people in their traditional costumes. It’s a laidback country, authentic and unpretentious. Beautiful countryside. Lots of history. Exciting food. And, yes, for photographers Bolivia offers plentiful of opportunities.

My Cuba photo workshop runs from May 4th to 11th. During the week, we will start up with a couple of days in Havana and then head out to the picturesque, colonial city of Trinidad for the remainder of the time. For more information, look up Street Photography in Cuba.

If Cuba is an adventure, so Bolivia is even more. This photo workshop will take you to the eastern mountains of the country, where we will follow in the footsteps of Che Guevara’s last day before being captured and executed. We will visit small towns and village not usually visited by tourists. This photo workshop takes place from September 23rd to October 2nd. For more information, look up On the Tracks of Che Guevara.

Whether you attend one of my workshops or any other photo workshops taught by other organizers, I strongly recommend the experience. I know both as an organizer and one who participates myself. Later this year, I will attend a photo workshop myself in Rome. Maybe I’ll see you there?

How you ever attended a workshop—and how was the experience?

Two More Workshops

As I mentioned a couple of posts ago, I have two more photo workshops in planning for next year. In addition to the ones already announced in respectively Cuba and Bolivia—which are longer, up to ten days, workshops—I will teach two shorter weekend long workshops in as different places as in Bergen, Norway and Seattle, USA. Both have magnificent nature as well as the temperate climate in common, but otherwise they are two quite different cities.

Attending a longer photo workshop is a more intense and very expanding experience. You get a chance to work thoroughly with you photography and dig deep into your creative resources. Extended feedback over many days will most certainly guide you into a new phase as a photographer. You will leave the workshop with a different and deeper understand of how to shoot and become a better visual storyteller.

However, not all of us have a week or two at our disposal for a photo workshop. That’s when weekend workshops come in as a good alternative. Even if you spend shorter time exploring possible new photographic approaches and have less time to learn, you will still gain a lot during a three days photo workshop. A weekend workshop might be even more intense, simply because you want to get as much as possible out of the days.

My first weekend workshop takes place in Bergen, Norway. We set off after working hours on Friday June 7th 2019 and wrap it up Sunday evening the same weekend. This is the same weekend as the annual and traditional, old fashion market takes place in Bergen—with lots of photo opportunities. During the weekend, the focus will be on how to develop your personal, photography expression. I will talk about the process from vision to final output; and how to use the visual language to express your photographic vision.

The workshop in Seattle will run over an extended weekend from September 6th to 9th 2019. Like in Bergen, we come together on the Friday evening after work but continue through Monday over the weekend. During this workshop, I will more extensively be looking at the visual language. As a participant, you will learn how to transform what you see for eyes into strong visual stories that will captivate your audience.

If you want to learn more about these two photo workshops, please look up “Your Personal Expression” in Bergen and “The Visual Language” in Seattle. Maybe I’ll see you there?

Photo Workshops in Planning

Two of the participants during the Bolivia workshop in 2013
The participants of the 2010 Bolivia workshop

Sitting at my desk here in Seattle, looking out at the cold mist cramping down on the urban scenery outside my window, I can all the more enjoy spending time planning next year’s photo workshops. Honestly, it’s always fun to plan upcoming workshops. I love teaching and planning is part of the built-up.

If everything goes according to plan, next year I will teach four workshops on three different continents. Some of them will be very adventurous while others while be more laidback. They will vary from weekend long workshops to a tour stretching almost a fortnight. There should be a workshop for most aspiration. Maybe I’ll see you in one of them?

Once again, I will teach a photo workshop in Cuba in May. This is my most popular workshop, which I teach together with my friend and colleague, Sven Creutzmann. We have done this since 2007, almost every year. Here on my blog I have written many a post about Cuba, and if you follow me, I don’t need to introduce you to this fascinating country. It’s certainly a country that it’s a dream place for most photographers, colourful with openhearted people and photo opportunities around every corner.

Next year’s photo workshop will take place from May 4th to 11th. If you may be interested, you’ll find more information on Blue Hour Photo Workshops, «Street Photography in Cuba».

For Sven and me it’s extra exciting to re-launch a photo workshop in Bolivia. This will be a truly adventurous workshop, in which we follow the footsteps of Che Guevara, up until he was captured and killed by the Bolivian army. We will travel through small mountain towns and off the beaten tracks in a lush and beautiful landscape. We will meet local people and we will talk with some of those who took care of Che Guevara after he was captured. In all modesty, this is quite an extraordinary photo workshop.

The Bolivia workshop will take place from September 15th to 24th. For more information, once again look up Blue Hour Photo Workshops, «On the Tracks of Che Guevara».

In addition to the Cuba and Bolivia workshop, I will teach yet another weekend workshop in Bergen, Norway in the beginning of June. Next year I also plan a complete new photo workshop in Seattle, USA. The date is yet not settled, but it will take place in the autumn of 2019. These two workshops I will get back to with more info.

Come Rain, Come Shine

© Erik Lind
© Terry Shoobridge
© Inger Stenstrøm
© Tori Tollefsen
© Mary Shoobridge

Street photography is challenging. Most of us feel like intruders when we shove our cameras into the faces of strangers on the street. It’s intimidating, and most intimidating is approaching strangers asking to take their photo. Even just being a fly on the wall, letting street life pass by unobstructed, capturing it without any interaction, can be daunting enough. We just don’t feel comfortable photographing people we don’t know.

For participants during the extended weekend photo workshop in Bath two weeks ago, they all experienced the challenge of street photography. In the beginning, they were pretty much reluctant to the thought of approaching strangers on the street. Resorting to zoom in and use a long telephoto lens was much less intimidating. However, taking captivating street photos more often than not requires using a wide-angle lens or at least a so-called normal lens.

Over the next three days during the workshop, they were pushed ever closer to whatever took place on the street. And they were pushed to use a more wide-angled approach. They also started approaching complete strangers on the street. To their surprise, they found out that most people don’t mind having their photos taken. On the contrary. With that insight came also more audacity—and in the end amazing results in terms of photos they have captured.

To challenge the participants even more, the weather was far from cooperative. Whereas Bath had been bathed in sunshine weeks before the workshop—and in fact ever since the workshop was done, too—during the extended weekend the rain came down reluctantly most days. However, the participants passed this challenge with blistering energy. Come rain, come shine, they were all out shooting every day.

Here is a small selection of what they came back with after an inspiring weekend in beautiful Bath.

Back from Photo Workshop in Bath

Last night I got back from teaching a photo workshop in Bath, England, over an extended weekend. The participants and I had a great experience, despite the weekend being clogged down by some heavy rain. After weeks of lovely sunshine and what seems to have returned to more sunshine, the workshop really found the one weekend with pretty nasty weather. Particularly on Saturday it was wet and cold, and we all felt a little demolished after a whole day out in the rain. But I have to praise all the participants for their determination not to let the rain take them down. They kept shooting until late in the evening. We did get some sunshine, too, but as one of the participants said, the rain will make sure we won’t forget this workshop.

For me it was also an unforgettable workshop because of the group itself. The spirit and the eagerness to learn and willingness to being challenged was enormously inspiring for a workshop teacher. I think it shows in the result they came home with. They all captured some outstanding images. Street photography is always difficult, because you photograph in an environment where you have no control, and thus will capture a lot of less than satisfactory images. They never gave up pushing on and searching for new possibilities and photos.

For me—as in all the workshops I teach—I learned just as much as the participants did, by their vision and the way they see the world through the camera. We all bring ourselves into our photography and thus we all shoot differently. And nothing is more inspiring than seeing how others perceive the world in their pursuit of photography. I had a great weekend, to put it simple. In a later post, I will get back to the amazing work of the participants.

¡Cuba Libre!

As a continuation of my post from Cuba last week, I want to continue showing a handful of other images I took during the photo workshop we, my colleague and I, taught earlier in May this year. As I wrote in my last Cuba-post, it’s only now that I have finally gotten around to edit and process the photos from the trip.

Some of the photos I show were captured during the actually workshop while others were taken beforehand. When I teach a workshop, I don’t always get much time to shoot my own photos. My time is dedicated to the workshop participants, either being out shooting with them or lecturing or doing picture critique.

Attending my workshop is always an intense experience, but not the least great fun. I think that’s fair to say. Participants univocally give our workshops the highest rating.

If you are interesting in attending one of our workshops in Cuba, we have just announced next year’s one week photo workshop in Cuba, similar to the one we taught this year and many years before. Follow the link to find more information about Street Photography in Cuba. If you are up for something very special, this autumn my colleague and I are organizing a two week photo tour/workshop in which in follow the footsteps of Fidel Castro and Che Guevara’s revolution. This is the link for In the Footsteps of a Revolution.