Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Back in my Yard

What started in the summer of 2011 as a fun little project has turned into quite a thing these many years later on. I am talking about my backyard photo project—a project familiar to regular readers of this blog.

The backyard project is almost a no-project. It was meant as an outlet for my experimentation and for me to push myself beyond my regular ways of seeing and photographing. Here I could step out of the all so infamous box and not have to worry about the result—because it is all about fun and playfulness, without any pressure or performance needs that have had to be met.

Doing this project, I have deliberately broken all the “rules” in the book. It’s been a way for me to keep my vision fresh. And after eight years, it has actually turned into a visually interesting and personal photo essay of sorts.

Last time I wrote about the photo projects, I took the approach as far out as possible. By swinging the camera forcefully when triggering the shutter and using a long shutter speed, I captured some unusual and abstract photos—to say the least. Last week I came around from the other direction. This time I tried to photograph as straight on and standard-like as possible, and challenged myself to see if I could still come up with something different.

This may not be the most thought-provoking result or even captivating at all. But I have still chosen to display a handful of images from this shoot, to show that not all we do have to be all that touching or appealing in order to work within a larger body of work. And even if the result isn’t as spectacular as one maybe would have liked to, there is always learning in every twist and turn of shooting—as long as we keep shooting.

If you haven’t seen my previous photos, here is the links to post about my backyard project: Backyard Frenzy, Backyard Abstraction, Shooting Sideways, Backyard Bliss, Experimental Backyard, My Photographic Retreat, My Backyard Project, My Personal Challenge, The World from the Backyard, Instagram my Backyard, Out of Comfort Zone and Challenge and Expand.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Alive on the Street

Street photography has always been to close to my heart. Remember, I wrote about the importance of shooting from the heart in a post two weeks ago (From the Heart). What draws me to street photography is the feeling of being alive amongst my fellow human beings, seeing and learning from how they each embrace life—at least by their public appearance.

At first look, street photography indeed seems to be about appearance. But it only becomes truly interesting when a photographer is able to dig under the facade we all put up and capture genuine human behaviour and earnest emotional moments. That is when street photography becomes like a universal porthole to life; when it speaks about experiences that we all may share, even when the appearance is utterly unique or uncommon.

Another part of photographing on the street that I like is the challenge it impose. Because it is a challenge to go out and photograph strangers on the street. It’s like putting in a personal investment and not knowing what will happen. Street photographing forces you out of the box, out of the comfort zone, which is always good for any creative endeavour. It generates that little bit of jittering uncertainty and discomfort that may boost you into something extraordinary. Not all the times, but sometimes—when you are willing to let go and just flow with whatever happens. And when that happens, that is when I feel the most alive.

In May this year, I attended a photo workshop in Rome, taught by the visually proficient photographer Martin Bogren. It was five days of intense and good street shooting. Now I have turned what I started in Rome into a new project. Whenever I visit a city, I will allocate time to photograph its streets as I did in Rome. I also plan to go places only with this project in mind. The last couple of weeks, I have been shooting in Seattle. Over the next couple of weeks, I will continue the project first in Panama City and then in Santa Cruz in Bolivia.

These images here, are from Seattle. If you want to have a look of the images from Rome, you will find them on the posts A Roman Stance and Streets of Rome. By the way the project is called “Cities of delution”.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.

Last Week’s Instagram

Once a week—or every so often—I will display one of my photos captured and/or processed with Instagram over the last week. It’s a way for me to show photography that usually is quite different from my regular work. The pictures are displayed without any comments, hoping they will stand on their own. But I still very much appreciate any comments you may have.