Photo Workshop in Bolivia

I have written about it before. But I would like to once again mention that my colleague Sven Creutzmann and I are planning an extra ordinary photo workshop in Bolivia. It will be all about photography—of course—and travelling in a fascinating country with an amazing landscape—and its beautiful people. And again we are following the footsteps of Che Guevara and his last days in Bolovia before he was captured and killed by the Bolivian army. We will meet people who met with Che Guevara and took care of him during those last days.

Although, following his footsteps will only be a red thread through our own photographic journey where the pictures by the participants will be the focus on an everyday basis. If you would like to join, Sven and I will guide you to a better understanding of your photographic vision, we will push you to express it as best you can in your shooting and we will teach you how to approach the photographic process with a creative and personal touch. This workshop is directed to photographers of all levels, beginners to advanced professionals. In other words: Whoever loves photography! In this workshop you will improve your photographic skills; you will learn to better use your camera and improve your understanding of light. The main focus will be on the picture, not on the technical part of the photographic process.

This workshop will take place from September 23rd to October 2nd 2019 and we start our photographic journey from Santa Cruz, the capital of the eastern province of Bolivia and the business centre of the country. From there we will travel up into the lower mountains (up to 3000 meters above sea level) where Che Guevara tried to impose his revolution in Bolivia more than 40 years ago. If you think experiencing—and photographing—this beautiful part of the world with two very experienced photographer sounds like a dream come true, maybe it’s time to plan to join the workshop in the autumn coming up.

There are still space if you ware interested in participating.
For more info, please click on the link

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Your Own path

When you first pick up a camera, you start down on a creative path. How far you go—or even how far you want to go—is all up to you. There is no right or wrong. There is no saying how far you should go. And there is certainly no need to feel you have to keep developing your photographic skills or your photographic vision.

If all you want is to play with your camera, if you just want to capture moments in your life, to keep as memories, without any photographic ambitions; do it! Have fun—that is the whole point, anyway. Too many “serious” photographers forget the fun part. They lose the playfulness that is such an important part of the creative endeavour, what probably brought them into photography in the first place.

This path you have undertaken—whichever direction it takes you—is all yours. In many ways, all you need is walk the walk, photograph what photographs you capture, and immerse yourself in the process. Gain confidence as you head down the path; learn to create by creating, become skilled as a photographer by photographing. If you trust the process, if you trust yourself and your inherent creativity—which we all have in us—in time you will master what needs to be mastered. The path will open up for you, if you become susceptible to it.

All this is easier said than done, though, and a guiding hand may more often than not be of great help. It is like undertaking a spiritual journey. You can become spiritually enlightened by work of your own mind, but a master by your side may help you not lose track of the path.

So it is with photography. Someone to guide your development can speed up the progress. I see it in all the workshops I teach, how much each participants grow through the week or whatever length of a workshop. And I know it myself from attending many a workshop. As a matter of fact, now in May I will once more enrol in a workshop, this time in Rome. Very exciting.

Maybe a photo workshop would be worth considering for you, too? Maybe it’s time to develop your photography. I would be happy to se you onboard one of my workshop that I teach this year. See further down for workshops I will be teaching.

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Workshops in 2019:

Next year I am going to teach no less than four workshops. They will vary from weekend long workshops to a tour stretching almost a fortnight. There should be a workshop for most aspiration.
 
“Street Photography in Cuba” is a workshop I do together with my friend and colleague Sven Creutzmann. It’s our most popular photo workshop and offers a great opportunity to experience the colours, the contradictions, the rhythm and the passion of this country unlike any other. “Street Photography in Cuba” takes place from May 4th to 11th 2019.
 
“The Personal Expression” is a weekend workshop in Bergen, Norway. It’s an intimate and personal photo workshop, in which you will get a chance to work on and develop your personal expression as a photographer. “The Personal Expression” takes place from June 7th to 9th, 2019.
 
“The Visual Language” is an extended weekend workshop in Seattle, USA. In this workshop I will focus on the visual language—as the title indicates—and you will get a chance to develop your skills in visually telling stories with your photography. “The Visual Language” takes place from September 6th to 9th 2019.

“On the Tracks of Che Guevara” is maybe the workshop I am most excited about being able to re-launch. It takes place in the eastern mountain area of Bolivia and we will follow the tracks of the last days of Che Guevara before he was killed in these mountains. This is another workshop I do together with Sven Creutzmann and one we haven’t offer since 2013. “On the Tracks of Che Guevara” takes place from September 23th to October 2nd 2019.
 
<font color="#990000"Please follow the links for more info about each of the workshops.
Or shoot me an email (by answering this one) and I will send you more information.

Two Adventures

I think there is no better way to develop your photography and creative skills than attending a workshop. It’s usually a concentrated couple of days or a week full of intense experiences in which you will be pushed beyond your usual boundaries. Through daily teaching, practice and not the least feedback, you get an invaluable chance to grow and expand. Moreover, the exchange with other students is such an inspirational and transcending experience. And if you choose to attend a workshop out of your regular environment, for instance going to a foreign country, the travel will become a source of stimulation in and of itself.

As such, I would like to promote two photo workshops I am teaching this year. They will certainly be adventures for anyone attending them. One of them takes place in fascinating Cuba in the late spring while the other heads to little exploited areas in Bolivia in the autumn.

Cuba needs no further introduction. This Caribbean island nation is pure bliss for a photographer of any kind. The colours, the light, the energy, the culture, the history and not the least its people—Cuba is a blast for all sense. Anyone who has travelled to Cuba knows this. For the same reasons Cuba is heaven for a photo workshop.

Bolivia is more subtle and more reticent, but nonetheless an equally fascinating country to visit. It’s first of all a mountainous country, colourful in its own terms, particularly the country’s majority of indigenous people in their traditional costumes. It’s a laidback country, authentic and unpretentious. Beautiful countryside. Lots of history. Exciting food. And, yes, for photographers Bolivia offers plentiful of opportunities.

My Cuba photo workshop runs from May 4th to 11th. During the week, we will start up with a couple of days in Havana and then head out to the picturesque, colonial city of Trinidad for the remainder of the time. For more information, look up Street Photography in Cuba.

If Cuba is an adventure, so Bolivia is even more. This photo workshop will take you to the eastern mountains of the country, where we will follow in the footsteps of Che Guevara’s last day before being captured and executed. We will visit small towns and village not usually visited by tourists. This photo workshop takes place from September 23rd to October 2nd. For more information, look up On the Tracks of Che Guevara.

Whether you attend one of my workshops or any other photo workshops taught by other organizers, I strongly recommend the experience. I know both as an organizer and one who participates myself. Later this year, I will attend a photo workshop myself in Rome. Maybe I’ll see you there?

How you ever attended a workshop—and how was the experience?

Two More Workshops

As I mentioned a couple of posts ago, I have two more photo workshops in planning for next year. In addition to the ones already announced in respectively Cuba and Bolivia—which are longer, up to ten days, workshops—I will teach two shorter weekend long workshops in as different places as in Bergen, Norway and Seattle, USA. Both have magnificent nature as well as the temperate climate in common, but otherwise they are two quite different cities.

Attending a longer photo workshop is a more intense and very expanding experience. You get a chance to work thoroughly with you photography and dig deep into your creative resources. Extended feedback over many days will most certainly guide you into a new phase as a photographer. You will leave the workshop with a different and deeper understand of how to shoot and become a better visual storyteller.

However, not all of us have a week or two at our disposal for a photo workshop. That’s when weekend workshops come in as a good alternative. Even if you spend shorter time exploring possible new photographic approaches and have less time to learn, you will still gain a lot during a three days photo workshop. A weekend workshop might be even more intense, simply because you want to get as much as possible out of the days.

My first weekend workshop takes place in Bergen, Norway. We set off after working hours on Friday June 7th 2019 and wrap it up Sunday evening the same weekend. This is the same weekend as the annual and traditional, old fashion market takes place in Bergen—with lots of photo opportunities. During the weekend, the focus will be on how to develop your personal, photography expression. I will talk about the process from vision to final output; and how to use the visual language to express your photographic vision.

The workshop in Seattle will run over an extended weekend from September 6th to 9th 2019. Like in Bergen, we come together on the Friday evening after work but continue through Monday over the weekend. During this workshop, I will more extensively be looking at the visual language. As a participant, you will learn how to transform what you see for eyes into strong visual stories that will captivate your audience.

If you want to learn more about these two photo workshops, please look up “Your Personal Expression” in Bergen and “The Visual Language” in Seattle. Maybe I’ll see you there?

Photo Workshops in Planning

Two of the participants during the Bolivia workshop in 2013

The participants of the 2010 Bolivia workshop

Sitting at my desk here in Seattle, looking out at the cold mist cramping down on the urban scenery outside my window, I can all the more enjoy spending time planning next year’s photo workshops. Honestly, it’s always fun to plan upcoming workshops. I love teaching and planning is part of the built-up.

If everything goes according to plan, next year I will teach four workshops on three different continents. Some of them will be very adventurous while others while be more laidback. They will vary from weekend long workshops to a tour stretching almost a fortnight. There should be a workshop for most aspiration. Maybe I’ll see you in one of them?

Once again, I will teach a photo workshop in Cuba in May. This is my most popular workshop, which I teach together with my friend and colleague, Sven Creutzmann. We have done this since 2007, almost every year. Here on my blog I have written many a post about Cuba, and if you follow me, I don’t need to introduce you to this fascinating country. It’s certainly a country that it’s a dream place for most photographers, colourful with openhearted people and photo opportunities around every corner.

Next year’s photo workshop will take place from May 4th to 11th. If you may be interested, you’ll find more information on Blue Hour Photo Workshops, «Street Photography in Cuba».

For Sven and me it’s extra exciting to re-launch a photo workshop in Bolivia. This will be a truly adventurous workshop, in which we follow the footsteps of Che Guevara, up until he was captured and killed by the Bolivian army. We will travel through small mountain towns and off the beaten tracks in a lush and beautiful landscape. We will meet local people and we will talk with some of those who took care of Che Guevara after he was captured. In all modesty, this is quite an extraordinary photo workshop.

The Bolivia workshop will take place from September 15th to 24th. For more information, once again look up Blue Hour Photo Workshops, «On the Tracks of Che Guevara».

In addition to the Cuba and Bolivia workshop, I will teach yet another weekend workshop in Bergen, Norway in the beginning of June. Next year I also plan a complete new photo workshop in Seattle, USA. The date is yet not settled, but it will take place in the autumn of 2019. These two workshops I will get back to with more info.

Come Rain, Come Shine

© Erik Lind

© Terry Shoobridge

© Inger Stenstrøm

© Tori Tollefsen

© Mary Shoobridge

Street photography is challenging. Most of us feel like intruders when we shove our cameras into the faces of strangers on the street. It’s intimidating, and most intimidating is approaching strangers asking to take their photo. Even just being a fly on the wall, letting street life pass by unobstructed, capturing it without any interaction, can be daunting enough. We just don’t feel comfortable photographing people we don’t know.

For participants during the extended weekend photo workshop in Bath two weeks ago, they all experienced the challenge of street photography. In the beginning, they were pretty much reluctant to the thought of approaching strangers on the street. Resorting to zoom in and use a long telephoto lens was much less intimidating. However, taking captivating street photos more often than not requires using a wide-angle lens or at least a so-called normal lens.

Over the next three days during the workshop, they were pushed ever closer to whatever took place on the street. And they were pushed to use a more wide-angled approach. They also started approaching complete strangers on the street. To their surprise, they found out that most people don’t mind having their photos taken. On the contrary. With that insight came also more audacity—and in the end amazing results in terms of photos they have captured.

To challenge the participants even more, the weather was far from cooperative. Whereas Bath had been bathed in sunshine weeks before the workshop—and in fact ever since the workshop was done, too—during the extended weekend the rain came down reluctantly most days. However, the participants passed this challenge with blistering energy. Come rain, come shine, they were all out shooting every day.

Here is a small selection of what they came back with after an inspiring weekend in beautiful Bath.

Back from Photo Workshop in Bath

Last night I got back from teaching a photo workshop in Bath, England, over an extended weekend. The participants and I had a great experience, despite the weekend being clogged down by some heavy rain. After weeks of lovely sunshine and what seems to have returned to more sunshine, the workshop really found the one weekend with pretty nasty weather. Particularly on Saturday it was wet and cold, and we all felt a little demolished after a whole day out in the rain. But I have to praise all the participants for their determination not to let the rain take them down. They kept shooting until late in the evening. We did get some sunshine, too, but as one of the participants said, the rain will make sure we won’t forget this workshop.

For me it was also an unforgettable workshop because of the group itself. The spirit and the eagerness to learn and willingness to being challenged was enormously inspiring for a workshop teacher. I think it shows in the result they came home with. They all captured some outstanding images. Street photography is always difficult, because you photograph in an environment where you have no control, and thus will capture a lot of less than satisfactory images. They never gave up pushing on and searching for new possibilities and photos.

For me—as in all the workshops I teach—I learned just as much as the participants did, by their vision and the way they see the world through the camera. We all bring ourselves into our photography and thus we all shoot differently. And nothing is more inspiring than seeing how others perceive the world in their pursuit of photography. I had a great weekend, to put it simple. In a later post, I will get back to the amazing work of the participants.

¡Cuba Libre!

As a continuation of my post from Cuba last week, I want to continue showing a handful of other images I took during the photo workshop we, my colleague and I, taught earlier in May this year. As I wrote in my last Cuba-post, it’s only now that I have finally gotten around to edit and process the photos from the trip.

Some of the photos I show were captured during the actually workshop while others were taken beforehand. When I teach a workshop, I don’t always get much time to shoot my own photos. My time is dedicated to the workshop participants, either being out shooting with them or lecturing or doing picture critique.

Attending my workshop is always an intense experience, but not the least great fun. I think that’s fair to say. Participants univocally give our workshops the highest rating.

If you are interesting in attending one of our workshops in Cuba, we have just announced next year’s one week photo workshop in Cuba, similar to the one we taught this year and many years before. Follow the link to find more information about Street Photography in Cuba. If you are up for something very special, this autumn my colleague and I are organizing a two week photo tour/workshop in which in follow the footsteps of Fidel Castro and Che Guevara’s revolution. This is the link for In the Footsteps of a Revolution.

Being Challenged

At its best a photo workshop both challenges each participant as well as give him or her a sense of achievement. Both are important. If you are challenged and don’t feel you can handle the challenge, you will soon lose your self-esteem. On the other hand, if you are not really tested beyond your comfort zone, you will hardly develop or improve your photography.

This idea has always been the basis for any of the workshops I teach, as it is for Sven Creutzmann, my friend and colleague with whom I teach the photo workshops in Cuba. For us it’s equally important that we challenge each participant at the right level. Good photographers need to be put to a harder test, whereas with beginners or less confident participants we cannot push as hard.

When we start a new workshop, we always commence with a desire to boost both ourselves and the participants as hard as possible. It’s a matte of motivation. It’s fair to say that we are very ambitious, both with respect to ourselves as well as on the behalf of the participants. For some participants this may come as a surprise. They might have attended other workshops without having the workshop teachers pushing them much at all. In the beginning when they are met with our determination to challenge, they may actually feel a little uncomfortable, but it doesn’t take long before they start to thrive, particularly when they see some dazzling development in their approach to photography.

I think it’s reasonable to say that over the years we have become good at finding the right balance between pressing each participants beyond their comfort zones and making sure they keep a sense of achievement. I also think our feedback during daily picture critiques have become precise and immensely valuable for the participants. After all, we have taught workshops for quite some years by now.

Although I have organized workshops longer, Sven’s and my first Cuba workshop took place in 2006. Quite a few changes have seen daylight since then. This year’s workshop in May took us to a different location, for instance. In addition to Havana, we went to the beautiful, colonial town of Trinidad. We, as workshop teacher, are also more out on the street shooting along with the participants, whereas during the first workshop we went to the rural Viñales. Particularly photography one-to-one with us has become something our participants value. It gives them a change to see how we work as professional photographers as well as letting us guide them better in their own shooting.

Most notably for this year’s workshop, was a new meeting point for lectures and picture critique the days we were in Havana. At the end of last year, Sven open his own art cafe in the district of Vedado. It’s probably one of the coolest cafes in Havana, displaying a lot of Sven’s photography as well as colleagues’ and friends’. ArtCafe Belview has already been picked up by many travel guides as well as gotten ravish reviews, and is a perfect place for teaching a photo workshop.

Do you want to come to Cuba for a photo workshop? Our next one, In the Footsteps of a Revolution, will take place from Nov 24th to December 7th later this year. Or maybe you’d rather go for an extended weekend. From September 21st to 24th I teach the photo workshop Street Photography in Bath, in England.

The group with participants and teachers during the Cuba workshop this May.

Learning to Live (with a Camera)

It’s always fun to observe participants attending our photo workshops in Cuba; In the beginning they are all quite amazed—and for the most part surprised—about how easy it is to photograph Cubans. This is whether they are being photographed on the street or elsewhere. Not the least are the participants astounded about how easy it is to even get invited inside Cuban homes and be able to photograph their intimate and private life.

For most of us, it’s quite intimidating to approach strangers on the street with the intention to photograph them. Of course, if you have never done it before, it’s almost nerve wrecking in the beginning, but also for seasoned photographers it can sometimes take some extra courage to face some stranger on the street.

The ease with which Cubans open up themselves for strangers is one of the reasons why Cuba is one of the better places in the world to practice street photography. During our workshops, we more than once experience the joy with which participants discover they can do something they never thought would be possible. As each day goes, they approach strangers more confidently and even carelessly. Towards the end of the workshop, they don’t even think about it any more. We have had participants crying in the beginning of a workshop because they couldn’t manage to face strangers on the street—or so they though—only to lose them at sight later on, whenever they ventured deeper and deeper into homes and places that no one else would think about going.

So it was with this workshop in May, too. We saw it once again, the anxiety of having to get close on the street shifting to excitement in the meeting with complete strangers and in getting to know them through the process of photographing them. As the week pass, we—my colleague and friend, Sven, and I—push them to go closer and closer and even closer.

When participants start to play along with Cuban music or dancing on the street, we are far beyond the pure photographic experience. We talk about life in all its beauty and richness.

Pushing participants closer and closer is one think that we always need to do, Sven and I, in any workshop we teach. As we say, you can never get too close. In a street photography workshop, this is definitely one of our major missions. And then to push the participants to keep shooting, and the shoot some more. We see it time and again; most untrained photographers may capture one, two or at most five images of a scene or a situation. This is hardly getting started! Whenever we are out on the street with the participants, we have to keep forcing them to stay with a situation, almost to exhaustion, to make sure they capture enough frames. You simple don’t know when the best image will appear.

Get closer. Shoot a lot. And finally: don’t look at the camera’s preview screen. That’s the last of our three commandments for participants during a workshop. Too often, photographers need to check what they have captured all while the situation continues—and they lose maybe the best shot. All this is about being prepared, getting the most out of a given situation and make sure not lose “the” photo.

In the late autumn—in November-December—Sven and I will organize a new workshop in Cuba. This will be quite a different experience. We will travel all over Cuba for two weeks, following the footsteps of Fidel and Che’s revolution.