Do you see the iguana?
The way we human beings have developed our seeing, that is to objectify and label everything around us, is unfortunately restricting us more than it is aiding us when we photograph. Because – as I wrote in my post Photographically Seeing a couple of weeks ago – the way our eyes see and the way the camera sees is quite different, we almost need to unlearn our regular way of seeing. Instead of for instance identifying a horse as a “HORSE”, that is a horse as an idea or a label, we need to pause our usual scanning with the eyes and rather discover the uniqueness of that particular horse. Objectifying is perfect for daily survival so that we can respond quickly to new situations occurring around us all the time, but not when you want to photograph beyond the obvious.
We will improve greatly as photographers if we can make ourselves see beyond the labels we have wired our brains to register. What instead of a dead, crooked and fallen trunk we can see an iguana climbing over it? Or see – and photograph – the most beautiful landscape in some clothes piled up on a drawer? What I am talking about is being imaginative and changing our usual perspective. When we were kids we had no problems seeing other realities in the world around us, seeing beyond the labels, we as grown-ups are so stuck with. We all delighted doing it when we were kids, pretending to see or seeing things invisible to others. Socialization, adaptation and communication, however, introduced a different agenda and began to mould perceptual conformity. Our reconstructing skills or imaginations – being able to see beyond the labels – were lost.
Open our minds beyond labels and beyond the obvious can open a whole new world for our photography. Derek Doeffinger, a photograph who has written a dozen books about photography, for instance, suggests that «instead of seeing the horseness of a horse, you might see it as a landscape – the prairie of its back rising into a mountainous neck. Or you may see it as a temple supported with four slender columns.»
Developing our receptiveness is a most effective way to avoid photographic clichés. When asked what he looks for in photographing, Michael Smith replied: «I am not looking for anything. I am just looking – trying to have a full an experience as possible. The point is to have a full experience –the photograph is just a bonus.»
In many ways I am talking about training the capacity to discover new ways of apprehending the world. Are you ready to see beyond seeing? Take a look at the photo beneath. How many different animals or other objects can you see in those rocks? .