It is the imagination that makes an artist capable of going beyond anything he or she has learned about the craft and from others in the field. It’s the imagination that makes the artist create something new in his or her own work; a new idea, a new approach, a new point of view, a new effect, a personal style. A person may read all the right books on the craft, attend lectures, go to school, and yet still not be able to do anything but copy from what he or she has learn. But we all have imagination and creativity latent in ourselves and it’s possible for all to bring out and develop that potential.
A good way to train one’s imaginative faculties is through mental exercises: try to imagine different ways of doing the same thing, different ways of rendering the same subject, different applications of means and technique. When confronted with an artistic problem we may try to visualize how the subject would appear from a different point of view – for instance in photography from higher up, from lower down, from the side, from the rear. Or how would it appear if the subject would be taken farther away with a telephoto lens? What would happen if a wide-angel lens were used? What about a different type of illumination?
By investigating systematically every controllable factor which contributes to the appearance of the work of art, by patiently searching for other ways than the obvious one for solving a specific problem, by critically analyzing the result of these investigations, by making clever use of the possibilities inherent in the subject, the inventive artist creates the kind of work that makes less patient or less creative artists exclaim: Why didn’t I think of that? How could I overlook such possibilities! Haven’t we all experienced this feeling at some point? But don’t worry, though, don’t get discourage by other’s creative work, it’s all about training your imagination.
Another way to do so is exactly to study and analyse the work of other imaginative artists, much as the student artist learns by studying the work of the masters. I believe there is no artist who, in one way or another, has not been influenced by the thought and work by others. Such influences are necessary catalysts to the artistic growth and development of any creative personality. We are not talking about imitation, but influence.
How do you train your imagination? And keep it sharp every day?