One of the things being a photograph that I often find limiting, is the fact that I usually work by myself. Limiting is actually not the right word, since being out on my own forces me to focus and use all of myself in the interaction with the world I photograph. It actually gives me strength. So I guess it’s more about the joy of working together with somebody else that I often miss when I work alone for too long. And also the different experience it involves.
It is really a great experience to work creatively together. You push each other further than you would maybe do alone. You inspire each other. You find new solutions together. And more than anything it’s simply fun. Or as Corwin Hiebert writes in his e-book Your Creative Mix – Growing Your Photography Business through Creativity and Collaboration: «The creative process, as chaotic as it can be at times, is a beautiful thing when the hard work involves an experience we can truly share. […] Together we can spur each other on to create more, and do more».
Creating together is a wonderful example of a dialectic method. The idea of the dialectic method is an old theory going all the way back to Ancient Greece, in where you have a thesis and an antithesis up against each other, and the combined solution between the two not only makes for a compromise, but creates something that is better than the thesis or the antithesis alone, what in the theory is called the synthesis.
Theory away, collaboration is truly inspiring and can be done on many levels. My good colleague and friend Sven Creutzmann, who is an eminent as well as awarded photographer, and I have over the past many years and from time to time been photographing together side by side on more personal related projects. In doing so we push each other further, we encourage each other, we enjoy the time together being focused on the shooting, and despite the fact that one would think that we might end up with pictures looking similarly, the collaboration spurs our separate creative visions and results in quite different pictures even at occasions when we stand side by side. Finally when working together like this, the help and encouragement we give each other in the editing process and even how to photoshop the pictures, is almost worth the whole process in itself.
The collaboration between Sven and me has also lead to various photo workshops we do together. This is really collaboration as intimate as it can possible be. We develop the programs and classes in tight partnership, we teach the workshops together and of course we get to spend a lot of time socially together. As a matter of fact we have two workshops up in the air this autumn, one in Norway and one in Bolivia.
Another example of a stimulating creative collaboration for me is the one between me and another colleague and friend of mine, Øystein Mikalsen, a resourceful and very creative writer. We work together as a team reporting from countries around the world, although mostly from Africa. For both us these trips we do are among the most worthwhile in terms of journalistic and photographic projects. We work with themes that matters, we challenge each other, and we return with some of the best reporting we ever do. Some of you have already followed us on the latest trip to Western Sahara on our combined blog. In addition we also teach workshops together.
Creative collaboration is so stimulating and so inspiring; I can only recommend it to everyone involved in the creative process. Of course it’s not limited to photography, but holds value for any creative outlet or artistic expression. To quote Corwin Hiebert one more time: « A successful collaboration provides credibility, it gives you an opportunity to gain experience, it expands your knowledge base, widens your sphere of influence, deepens your relationships, and gives you a real-world resume. But one of the most important takeaways from a collaboration is that it promotes your work ethic». (His book by the way is available at Craft&Vision).